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home about radio stuff slotkin letter previews testimonials subscribe contact links archive summerworks review: the extinction of hong kongers by lynn on august 16, 2018 in the passionate playgoer the extinction of hong kongers toronto media arts centre, 32 lisgar st., toronto, ont. created by carmen lee, chun shing roland au, santayana li written by chun shing roland au, santayana li directed by chun shing roland au, santayana li performed by chun shing roland au, santayana li music composed and performed by ross unger lighting by kabeer garba set and costumes by carmen lee, chun shing roland au, santayana li stunning theatre. chung shing roland au and santayana li found life in hong kong so onerous under the present political regime, that they sought a better life and moved to canada a few years ago. so what do you do when you pine for your homeland? you write a wonderful play telling its history, secrets and mysteries. chung shing roland au and santayana li start with incense. because incense factored heavily in chinese life there, the fragrance was everywhere. the chinese name for incense was then given to the name of the city—hence hong kong. the two performers go through hong kong’s history from the time the british came calling and took it over, over their many years of ownership to when the british handed over hong kong to china 20 years ago. the storytelling is clear, spare and provocative. they sprinkle humour with the seriousness of what is happening resulting in a chilling story. under the china’s domination rules were stringent: how to live, behave, the language you could speak, freedoms they lost. the set is composed of many cardboard boxes that are fitted and formed to look like the huge city of hong kong. there are sky scrapers made of boxes; boxes open up into models of homes in miniature. puppets are used to convey a protest. the set and pieces are made of recycled materials that the creators equate with what will happen to hong kong in the future. it is a serious show done with lightness but purpose. i was blown away by the invention and vision of the story and the set. stunning work. a quibble, some business that dealt with china, tienanmen square i believe is done on the floor and those of us at the back and in the second row could not see it. perhaps a rethink of where that bit of business is done so everybody can see. other than that, the show just blew my mind. performances remaining: thurs. aug 16, 6:00 pm friday, aug. 17, 7:00 pm www.summerworks.ca { 0 comments } summerworks reviews: b side, …and you’ll never believe what happens next, a girl lives alone, the private life of the master race by lynn on august 16, 2018 in the passionate playgoer more from summerworks. b side it takes place in a laneway. toronto, ont. created and performed by molly johnson, meredith thompson and robbie grunwald original composition and sound by robbie grunwald this is part of summerworks lab, in which the work is still in development but requires an audience for further exploration. we gathered at artscape on shaw street and followed yellow arrows on the sidewalk. we passed one of those mini-libraries on a stand on the street and took a sheet of paper with instructions on our journey. we then gathered in a laneway at one end and waited for our guides, the two gentle performers, molly johnson and meredith thompson. we were instructed to look, observe and discover as we made our journey up the laneway. they wear a costume of bright orange with hot pink touches. eye-popping. along the journey, molly johnson and meredith thompson performed interpretive dance in front of garages, in the middle of the laneway and used other backdrops for their work. at times it looked as if they were worshiping a sun or sky spirit. they carved out space by stretching both arms and legs. we were given a lemon from a bucket at three points in the journey. we were asked to leave the lemon in a place in full sight or hidden or mysterious. our choice. i noticed that greenery was everywhere: growing along the overhead telephone wires, weeds in the cracks in the asphalt, in backyards. garage doors were painted different colours, usually vibrant, sometimes conservatively innocuous. one garage door had various symbols on it: a sun, a moon, stars etc. many had graffiti. at the end of the laneway was something astonishing—a large urban garden. it had lush plants and a large vegetable garden in huge pots: tomatoes, eggplant, i wanted to wander in that garden but a fence prevented me. beautiful. at the end of the journey molly johnson and meredith thompson give us a surprise (i won’t tell you—you will find out when you see this show, and you must see it). it’s then that the land acknowledgement is made about the original caretakers of this land. placing this at the end of our journey and not at the beginning, as is the norm, has a poignancy about it since were have been asked to look and see where we are going, to be mindful of things we might not see and to look harder, to listen as well as hear the sounds of the laneway. i loved this show—i loved the brains and heart of it and the imagination with which it was created. remaining performances: thur. aug. 16 5:00 pm thur. aug. 16 7:00 pm sun. aug 19 4:00 pm sun. aug. 19 6:00 pm www.summerworks.ca the following shows are …. and you’ll never believe what happens next at the theatre centre, 1115 queen st. w. toronto, ont. written and performed by graham isador directed by jiv parasram writer-performer graham isador wanted to share his favourite stories that he has written for various publications: reader, buzzfeed, etc. presently he writes for vice. he tells us how writing for these on-line, etc. publications came about. he says this is not ‘stand-up’ comedy, although there is an attempt to be funny. he says it’s really story-telling with a beginning, middle and end. jokes and stand-up have that form too. a spiffy maroon jacket hangs on a microphone stand. he enters and put it on with a nod to how stunning the jacket is (it is really smart-looking). he stand in front of the (unnecessary) microphone, and like stand-up, give us his act, in a confident voice although the delivery is quick and without variation. his facial expression is unchanging, unsmiling and dull. there has to be some reason why we are listening to these stories, either they are compelling or the performer is. unfortunately the stories initially don’t grab until perhaps the end, and mr. isador with his feigned sombre look is phony and a turn-off. interestingly his director, jiv parasram, used the same unsmiling stance for his show, take d milk, nah? earlier this year at theatre passe muraille with much better results. mr. parasram is a gifted story-teller that draws the audience in. i kept asking myself with mr. isador, why am i listening to these unfunny, unremarkable (for the most part) stories in outlets that come and go with the speed of the internet. i couldn’t find the answer. ironically his writing at vice is interesting. remaining performances: fri. aug. 17 10:00 pm sat. aug. 18 9:00 pm a girl lives alone at the theatre centre, 1115 queen st. w., toronto, ont. written by jessica moss directed by jessica moss and the company cast: aldrin bundoc tiffany deobald anita la selva samantha madely jessica moss andrew musselman alexander thomas asha vijayasingham jessica moss has written an atmospheric murder mystery. a woman is murdered in her apartment and the rest of the tenants are spooked. they don’t know who the murderer is. they speculate, they assume, they are afraid to leave their apartments and yet seek companionship to ease their loneliness. while it starts with lots of atmosphere, screaming and creepy sound effects, this is not a who-done-it. jessica moss does not seem to be interested in writing that. rather this is a show of atmosphere and how our minds play tricks on us if we let it. the show is more about the foley artist in the stage left corner ma

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http://slotkinletter.com/letter
http://slotkinletter.com/letter/previews
http://slotkinletter.com/2018/08/summerworks-review-the-extinction-of-hong-kongers
http://slotkinletter.com/2018/08/reviews-from-summerworks-lion-womxn-and-adrenaline#comments
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Domain Name: SLOTKINLETTER.COM
Registry Domain ID: 76698587_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.pairdomains.com
Registrar URL: http://www.pairdomains.com
Updated Date: 2018-07-16T02:15:55Z
Creation Date: 2001-08-31T13:36:02Z
Registry Expiry Date: 2019-08-31T13:36:02Z
Registrar: pair Networks, Inc. d/b/a pair Domains
Registrar IANA ID: 99
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: ok https://icann.org/epp#ok
Name Server: NS1.DREAMHOST.COM
Name Server: NS2.DREAMHOST.COM
Name Server: NS3.DREAMHOST.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2019-03-14T00:01:16Z <<<

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  REGISTRAR pair Networks, Inc. d/b/a pair Domains

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  ARGS domain =slotkinletter.com

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DOMAIN

  NAME slotkinletter.com

  CHANGED 2018-07-16

  CREATED 2001-08-31

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  NS3.DREAMHOST.COM 66.33.205.230

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